University Park, Pa.: Palmer Museum of Art, Pennsylvania State University, 1996. Medieval Art in America: Patterns of Collecting, 1800–1940. New York: The Metropolitan Museum of Art, 1994. New York: The Metropolitan Museum of Art, 1993. Masterpieces of the Metropolitan Museum of Art. Medieval Art: Painting, Sculpture, Architecture, 4th-14th century. "Art, Language and Romanesque." Gesta 28, no. New York: The Metropolitan Museum of Art, 1987. Europe in the Middle Ages, edited by Charles T. Part VI: Auvergne, Burgundy, Central France, Meuse Valley, Germany." Gesta 26, no. "Romanesque Sculpture in North American Collections. "Romanesque Sculpture in American Collections. Princeton: Princeton University Press, 1972. The Throne of Wisdom: Wood Sculptures of the Madonna in Romanesque France. New York: The Metropolitan Museum of Art, 1972. "Magi and Majesty: A Study of Romanesque Sculpture and Liturgical Drama." The Art Bulletin 50, no. New York: The Metropolitan Museum of Art, 1962. Art Treasures of the Metropolitan: A Selection from the European and Asiatic Collections of the Metropolitan Museum of Art. "A Romanesque Virgin from Autun." The Metropolitan Museum of Art Bulletin, n.s., 8, no. New York: The Metropolitan Museum of Art, 1939. Medieval Sculptures of the Virgin and Child: A Picture Book. New York: The Metropolitan Museum of Art, 1929. New York: The Metropolitan Museum of Art, 1925. New York: The Metropolitan Museum of Art, 1913. Catalogue of Romanesque, Gothic, and Renaissance Sculpture. Sculpture." The Metropolitan Museum of Art Bulletin, o.s., 3, no. "The Hoentschel Collection: Gothic Section. Paris: Librairie Centrale des Beaux-Arts, 1908. The most recent of the displayed artworks include paintings by the Monogrammist IW from the 1540s, when Renaissance aesthetics prevailed in central Europe.Ĭurator: Štěpánka Chlumská, Collaboration: Tomáš Hladík, Marcela VondráčkováĮxhibition design: Jiří Javůrek, Vlastimil Vagaday, Slavomír Vlk, Viera Bínová (genia loci s.r.Collections Georges Hoentschel: Volume 1, Moyen Age et Renaissance. The Master of the St George Altarpiece, the Master of the Puchner Ark, the Master of the Litoměřice Altarpiece and the brilliant carvers the Master of the Lamentation of Christ from Žebrák and the Master of the Lamentation of Christ from Zvíkov were active at that time. The period of the rule of Vladislaus II of Hungary and Louis II of Hungary is linked with the late Gothic and early Renaissance eras. The phenomenon known as the Beautiful Style arose in the late 14th century, bringing artistic renown to the Czech Lands. Outstanding painters and sculptors active in the Luxembourg era included the Master of the Madonna of Michle, the Master of Vyšší Brod, Master Theodoric, the Master of the Třeboň Altarpiece and the Master of the Krumlov Madonna. The best works from the collections and national cultural legacy treasures include those dating from Luxembourg rule – that of King John of Bohemia and, especially, his successor Emperor Charles IV and his sons. The oldest artworks in this exhibition date from the rule of the Přemyslid dynasty of which St Agnes of Bohemia, the founder of this convent, was a member.
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